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During the Numantine war Rome was menaced by a new danger, which revealed one of the plague-spots in the Republic. We have already had occasion to describe the decay of the free population in Italy, and the great increase in the number of slaves from the foreign conquests of the state.[59] As slaves were cheap, in consequence of the abundant supply, the masters did not care for their lives, and treated them with great barbarity. A great part of the land in Italy was turned into sheep-walks. The slaves were made responsible for the sheep committed to their care, and were left to supply themselves with food as they best could. It was an aggravation of their wretched lot, that almost all these slaves had once been freemen, and were not distinguished from their masters by any outward sign, like the negroes in the United States. In Sicily the free population had diminished even more than in Italy; and it was in this island that the first Servile War broke out.

The editor of the "Letters of Columbus" apologizes for the rudeness of their phraseology. Columbus, he tells us, was not so great a master of the pen as of the art of navigation. We are to make excuses for him. We are put on our guard, and warned not to be offended, before we are introduced to the sublime record of sufferings under which his great soul was staggering towards the end of its earthly calamities, where the inarticulate fragments in which his thought breaks out from him, are strokes of natural art by the side of which the highest literary pathos is poor and meaningless.

The original aims of the Eclectics are well summed up in a sonnet by Agostino Carracci, which has been translated as follows: "Let him who wishes to be a good painter acquire the design of Rome, Venetian action and Venetian management of shade, the dignified color of Lombardy--that is of Leonardo da Vinci--the terrible manner of Michael Angelo, Titian's truth and nature, the sovereign purity of Correggio's style and the just symmetry of a Raphael, the decorum and well-grounded study of Tibaldi, the invention of the learned Primaticcio, and a _little_ of Parmigianino's grace; but without so much study and weary labor let him apply himself to imitate the works which our Niccolo--dell Abbate--left us here." Kugler calls this "a patchwork ideal," which puts the matter in a nut-shell.


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