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The river was smooth for a little distance, when we proceeded once more with our navigation; but soon it became narrow--only 40 to 50 m. wide--with strong eddies in its deep channel between rocky sides. Some magnificent sand beaches 15 to 20 ft. high were observed, particularly on the right bank, not far from a tributary 3 m. wide which entered the main river on the left side. Lower down, the river described a sharp turn, and there we met another most dangerous rapid. It was entered by a passage 50 m. wide, after which a circular basin of rock--evidently an ancient crater--100 m. in diameter appeared; then the water flowed out with terrific force by a channel only 30 m. wide. The stream produced prodigious eddies in the circular basin. Waves of great height were dashed to and fro from one side to the other of the narrow channel, between high rocks on either side. The water flowed first in a direction E.S.E. for 500 m., then turned off suddenly to due east for a distance of 400 m. That spot was most difficult for us to go through.

One Jamestown building or house (whose brick foundations were discovered in 1955) appears to have been used for malting and brewing beer and ale, or carrying out some activity requiring distillation. A few pieces of lead were found which may have been part of a lead cistern for holding barley. The three brick ovens that were uncovered may have been used as drying kilns. A handle from a copper kettle was found near one of the ovens, and pieces of copper and lead pipes were unearthed not far from the building. The structure itself appears to have been used between 1625 and 1660.

VIRTUE is like a rich stone, best plain set; and surely virtue is best, in a body that is comely, though not of delicate features; and that hath rather dignity of presence, than beauty of aspect. Neither is it almost seen, that very beautiful persons are otherwise of great virtue; as if nature were rather busy, not to err, than in labor to produce excellency. And therefore they prove accomplished, but not of great spirit; and study rather behavior, than virtue. But this holds not always: for Augustus Caesar, Titus Vespasianus, Philip le Belle of France, Edward the Fourth of England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirits; and yet the most beautiful men of their times. In beauty, that of favor, is more than that of color; and that of decent and gracious motion, more than that of favor. That is the best part of beauty, which a picture cannot express; no, nor the first sight of the life. There is no excellent beauty, that hath not some strangeness in the proportion. A man cannot tell whether Apelles, or Albert Durer, were the more trifler; whereof the one, would make a personage by geometrical proportions; the other, by taking the best parts out of divers faces, to make one excellent. Such personages, I think, would please nobody, but the painter that made them. Not but I think a painter may make a better face than ever was; but he must do it by a kind of felicity (as a musician that maketh an excellent air in music), and not by rule. A man shall see faces, that if you examine them part by part, you shall find never a good; and yet altogether do well. If it be true that the principal part of beauty is in decent motion, certainly it is no marvel, though persons in years seem many times more amiable; pulchrorum autumnus pulcher; for no youth can be comely but by pardon, and considering the youth, as to make up the comeliness. Beauty is as summer fruits,) which are easy to corrupt, and cannot last; and for the most part it makes a dissolute youth, and an age a little out of countenance; but yet certainly again, if it light well, it maketh virtue shine, and vices blush.


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