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Dividend Two Directory 04
Page 09
"Well," said Mrs. Cadwallader, putting on her shawl, and rising, as if in haste, "I must go straight to Sir James and break this to him. He will have brought his mother back by this time, and I must call. Your uncle will never tell him. We are all disappointed, my dear. Young people should think of their families in marrying. I set a bad example--married a poor clergyman, and made myself a pitiable object among the De Bracys--obliged to get my coals by stratagem, and pray to heaven for my salad oil. However, Casaubon has money enough; I must do him that justice. As to his blood, I suppose the family quarterings are three cuttle-fish sable, and a commentator rampant. By the bye, before I go, my dear, I must speak to your Mrs. Carter about pastry. I want to send my young cook to learn of her. Poor people with four children, like us, you know, can't afford to keep a good cook. I have no doubt Mrs. Carter will oblige me. Sir James's cook is a perfect dragon."
In the Council, generally called _Concilium Africanum_, held A.D. 408, "stage-playes and spectacles are forbidden on the Lord's-day, Christmas-day, and other solemn Christian festivalls." Theodosius the younger, in his laws _de Spectaculis_, in 425, forbade shows or games on the Nativity, and some other feasts. And in the Council of Auxerre, in Burgundy, in 578, disguisings are again forbidden, and at another Council, in 614, it was found necessary to repeat the prohibitory canons in stronger terms, declaring it to be unlawful to make any indecent plays upon the Kalends of January, according to the profane practices of the pagans. But it is also recorded that the more devout Christians in these early times celebrated the festival without indulging in the forbidden excesses.
At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.
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