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Dividend Two Directory 06
Page 07
Of course the Chapmans were entirely satisfied. Indeed Mr. Gusher so turned his guns on Mr. Romer as to make his position extremely uncomfortable. Both were guests at the old City Hotel, where Gusher was a great favorite with all the young ladies, and to whom he related his difficulty with Romer. In short, he so enlisted their sympathies in his behalf that they were ready to join him in ejecting Romer from the house as a slanderer. One said what a mean thing he must be to slander the handsome young foreigner in that way. A second tossed and turned her head aside when she met him, and pouted her pretty lips to let him know what she meant. A third refused to return his bow, while a fourth gave him the cut direct. There was no standing up against such a storm of female indignation as he now found blowing about his ears. He saw, also, that to have attempted to sustain his charges with proof would only be sheer folly. In short, there was nothing for the plain young outspoken American to do but surrender the field to the handsome young foreigner and his female admirers, seek respectful treatment beyond the sound of their voices--and wait.
The internal evidence of the wooden figures themselves--nothing analogous to which, it should be remembered, can be found in the chapel of 1687--points to a much earlier date. I have met with no school of sculpture belonging to the early part of the eighteenth century to which they can be plausibly assigned; and the supposition that they are the work of some unknown local genius who was not led up to and left no successors may be dismissed, for the work is too scholarly to have come from any one but a trained sculptor. I refer of course to those figures which the artist must be supposed to have executed with his own hand, as, for example, the central figure of the Crucifixion group and those of the Magdalene and St. John. The greater number of the figures were probably, as was suggested to me by Mr. Ranshaw, of Lowth, executed by a local woodcarver from models in clay and wax furnished by the artist himself. Those who examine the play of line in the hair, mantle, and sleeve of the Magdalene in the Crucifixion group, and contrast it with the greater part of the remaining draperies, will find little hesitation in concluding that this was the case, and will ere long readily distinguish the two hands from which the figures have mainly come. I say "mainly," because there is at least one other sculptor who may well have belonged to the year 1709, but who fortunately has left us little. Examples of his work may perhaps be seen in the nearest villain with a big hat in the Flagellation chapel, and in two cherubs in the Assumption of the Virgin.
A new charter was granted in 1609, the council in England being now appointed by the stockholders instead of the king, and the governor of the colony being named by this council. Lord Delaware was made Governor and Captain-General of Virginia, and many more colonists sent out. By a wreck of two of the vessels there was delay in the arrival of the newly chosen officers. Smith, then Percy, meantime continued to exercise authority. This, again, was a critical period. Indians were troublesome. Tillage having been neglected from the first, provisions became exhausted, and a crisis long referred to as "the starving time" ensued. The colony had actually abandoned Jamestown and shipped for England, when met in James River by Lord Delaware, coming with relief. They at once returned, and an era of hope dawned. This was in June, 1610. One hundred and fifty new settlers accompanied Delaware. Planting was vigorously prosecuted, the Indians placated, and still further accessions of people and cattle secured from England.
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