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Dividend Two Directory 07
Page 06
The Romans had scarcely brought this trifling war to an end when they became involved in a formidable struggle with their old enemies the Gauls. Since the conquest of the Senones in B.C. 289, and of the Boii in B.C. 283, the Gauls had remained quiet. The Romans had founded the colony of Sena after the subjugation of the Senones; and in B.C. 268 they had still farther strengthened their dominion in those parts by founding the colony of Ariminum. But the greater part of the soil from which the Senones were ejected became Public Land. In B.C. 232 the Tribune C. Flaminius carried an Agrarian Law to the effect that this portion of the public land, known by the name of the "Gallic Land,"[30] should be distributed among the poorer citizens. This alarmed the Boii, who dwelt upon the borders of this district. They invoked the assistance of the powerful tribe of the Insubres, and being joined by them, as well as by large bodies of Gauls from beyond the Alps, they set out for Rome.
So, it seems to me, is the immortality we so glibly predicate of departed artists. If they survive at all, it is but a shadowy life they live, moving on through the gradations of slow decay to distant but inevitable death. They can no longer, as heretofore, speak directly to the hearts of their fellow-men, evoking their tears or laughter, and all the pleasures, be they sad or merry, of which imagination holds the secret. Driven from the marketplace they become first the companions of the student, then the victims of the specialist. He who would still hold familiar intercourse with them must train himself to penetrate the veil which in ever-thickening folds conceals them from the ordinary gaze; he must catch the tone of a vanished society, he must move in a circle of alien associations, he must think in a language not his own.
ASSCHE, AMELIE VAN. Portrait painter and court painter to Queen Louise Marie of Belgium. She was born in 1804, and was the daughter of Henri Jean van Assche. Her first teachers were Mlle. F. Lagarenine and D' Antissier; she later went to Paris, where she spent some time as a pupil of Millet. She made her debut at Ghent in 1820, and in Brussels in 1821, with water-colors and pastels, and some of her miniatures figured in the various exhibitions at Brussels between 1830 and 1848, and in Ghent between 1835 and 1838. Her portraits, which are thought to be very good likenesses, are also admirable in color, drawing, and modelling; and her portrait of Leopold I., which she painted in 1839, won for her the appointment at court.
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