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Dividend Two Directory 09
Page 04
The chief characteristics of Sofonisba's painting were grace and spirit. Her portrait of herself when at her best is in possession of the Lomellini. A second is the splendid picture at Althorpe, in which she is represented as playing the harpsichord. One can scarcely imagine a place in which a portrait would be more severely tested than in the gallery of the Earl of Spencer, beside portraits of lovely women and famous men, painted by master artists. Yet this work of Sofonisba's is praised by discerning critics and connoisseurs. Of the other portraits of herself, that in the Uffizi is signed by her as "of Cremona," which suggests that it was painted before she went to Spain. That in the Vienna Gallery is dated 1551, and inscribed Sophonisba Anguissola. Virgo. Sc. Ipsam Fecit. Still another, in which a man stands beside her, is in the Sienna Gallery. He holds a brush in his hand, and is probably one of her masters.
These territorial assumptions on the part of Massachusetts much increased the king's hostility. This probably would not have proved fatal had it not been re-enforced by the determination of the merchants and manufacturers of the mother-country to crush what they feared was becoming a rival power beyond seas. They insisted upon full enforcement of the Navigation Laws, which made America's foreign trade in a cruel degree subservient to English interest. So incorrigible was the colony, it was found that this end could be compassed only by the abrogation of the charter, so that English law might become immediately valid in Massachusetts, colonial laws to the contrary notwithstanding. Accordingly, in 1684, the charter was vacated and the colonists ceased to be free, their old government with its popular representation giving way to an arbitrary commission.
My men were paddling away with great vigour and were making rapid progress, the river flowing almost all the time northward, with deviations of a few degrees toward the east, in stretches from 2,000 to 6,000 m. in length. We crossed an immense basin 1,500 m. broad with most gorgeous sand beaches. Their formation in small dunes, occasionally with an edge like the teeth of a double comb, was most interesting. Once or twice we came to musical sands such as we had found before. Everywhere on those beaches I noticed the wonderful miniature sand plants, of which I made a complete collection.
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