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Dividend Two Directory 15
Page 09
Nevertheless, I was stirred agreeably by the imagination of the shells smashing the Emden and the men inside the Emden, and when I read the other day that the naval guns had destroyed over 4,000 men in the German trenches about Middlekirche I remarked that we were "doing well." It is only on the whole that we who want to end war hate and condemn war; we are constantly lapsing into fierceness, and if we forget this lurking bellicosity and admiration for hard blows in our own nature then we shall set about the task of making an end to it under hopelessly disabling misconceptions. We shall underrate and misunderstand altogether the very powerful forces that are against pacifist effort.
In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.
The descent was steep, and most trying for us among the great boulders over which we had to climb on our hands and feet. When we got to the bottom of this elevated country, the forest we found had quite a different aspect, which suggested to me the approach of the big river. We found there plenty of wild fruit, particularly some small black berries--called in Brazilian _pattaoa_--quite good to eat; also some most palatable tiny red cherries. We wasted a good deal of time picking up the fruit instead of marching, my men complaining all day long of an empty stomach. They would not take my advice to march quickly, so that we might then get plenty of food on the river. During the last few days, as I knew we must have been near the camp where I had left my men in charge of my baggage, we had constantly been firing sets of three shots--the agreed signal--in order to locate the exact spot where they were. But we had received no answer. Failing that, it was impossible to locate them exactly in the virgin forest, unless we had plenty of time and strength at our disposal.
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