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Dividend Two Directory 19
Page 03
The fireplace, around which the family gathered, was one of the most important features in the Jamestown home. Its fire offered warmth in winter, afforded light at night, and cooked the family meals during the day. An oven, usually found at the back or at one side of the fireplace, baked the family bread and other foods. About the fireplace, many home chores were carried out, including spinning and sewing; and not far from the glow of the burning logs the children learned their daily lessons and received their early religious training. Social activities were enjoyed about the hearth, especially during the long winter evenings; and when a member of the family was ill, the fireplace and its accessories were in constant use. The fireplace was the first place visited by the housewife in the early morning, and was usually the last place where she performed her household duties late at night.
The old Venetian realism was followed, in the time of the Renaissance, by startling developments. In the works of Tintoretto and Veronese there is a combination of gorgeous draperies, splendid and often licentious costumes, brilliant metal accessories, and every possible device for enhancing and contrasting colors, until one is bewildered and must adjust himself to these dazzling spectacles--religious subjects though they may be--before any serious thought or judgment can be brought to bear upon their artistic merit; these two great contemporaries lived and worked in the final decades of the sixteenth century.
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
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